Behringer XENYX XL3200 Premium 32-Input 4-Bus Live Mixer with Xenyx Mic Preamps And British Eqs

Behringer XENYX XL3200 Premium 32-Input 4-Bus Live Mixer with Xenyx Mic Preamps And British Eqs Review

Behringer XENYX XL3200 Premium 32-Input 4-Bus Live Mixer with Xenyx Mic Preamps And British Eqs Feature

• Ultra-low noise, high-headroom analog mixer for live, front-of-house, monitor, corporate and touring audio applications
• 28 state-of-the-art XENYX Mic Preamps plus 4 stereo Line inputs with ultra-high RFI suppression designed for live application
• 4 Subgroup outputs with inserts plus 2 independent main outputs with inserts on Main A
• 6 Aux sends per channel: 4 pre/post fader switchable for flexible routing
• Channel inserts and direct outputs on each mono channel

Introducing a bold new line of live sound mixers that combine professional features, dramatic styling and astounding value. XL Series intuitive layout and color-coded control interface is designed to make them easier to use. Behringer added the features youve been asking for and then some. And of course the XL3200, XL2400 and XL1600 are built around our proven XENYX high-headroom, low noise mic preamps and warm, musical EQ. The Ins and OutsSome manufacturers can be sneaky when they tell you how many inputs their mixers have, counting features like CD/TAPE IN as an input. But the XL series really gives you 8 (XL1600), 16 (XL2400) and 24 (XL3200) mono channels and four stereo channels (with two 1/4" inputs apiecean additional 8 line-level inputs (which can also be used for 4 additional mono mic channels), making it easy to accommodate a wide variety of live performance configurations. Depending on which XL mixer you choose, that means you can connect up to 8, 16 or 24 microphones (or other mono instruments) and up to four stereo instruments (keyboards, for example). You also get four buses, allowing you to assign multiple channelssay all the mics on a drum kit or all the backup singers micsto a single fader.Best of all, you dont need a black belt in engineering to operate the XL series. To get started, assign all mics and instruments to their channels by connecting them to the corresponding jacks on the back panel. Now, get ready to quickly become acquainted with the XL series incredibly user-friendly design.Plenty of channels, all in living colorAll dials on the XL series are assigned to colors that not only allow you to easily locate each function, but to also quickly identify corresponding faders. At the top of each mono channel strip, youll find a TRIM dial (white) for adjusting input gain and an 80 Hz switch that can eliminate unwanted infrasonics such as mic-handling noise. Each mono channel has a 4-band EQ (High, High Mid, Low Mid, Low). High Mid and Low M